Set up your next kick

A friend of mine* was having heart palpitations today, waiting on an overdue call from a potential employer. The job? Doesn’t matter, aside from it being one they “really, REALLY want.”

We’ve all been there. And it ain’t fun.

The chat churned up the “What do I do?” quandary. My advice was simple…

Set up your next kick

Check out this gif, then follow my explanation and logic below.

I wish I could give the creators of this video credit, but all I got is an Imgur link I favorited months ago. If anybody knows the source, drop me a line in the comments so I can drop some proverbial props.

I shared this gif with my friend to illustrate what I meant by “set up your next kick.” Let’s start with some parallels:

• The kicker is you, the job seeker.
• The ball — the kick, really — is a job opportunity.
• The slide-tackling a-hole is you not getting that job.

Now watch the gif again with that knowledge. What do you see? See any patterns?

Reset and try again

If you look at it in order, for the first kick, the dude is all excited. He’s jazzed. He’s got the moves. Oh, he’s GOT this, alright, until Numbknut McGee takes him out. And then he don’t got it.

Laying there on the grass, it looks like you feel when you find out you DIDN’T get a job offer you were expecting, doesn’t it? It does to me.

Keep them laced up until you can kick them off under your new desk

Ankles heal. Grass stains wash out.

But the guy gets up, perhaps a little less showy before the next kick, and he tries again. And is taken out again. That to me is one of the lessons here: Get up. Place the ball. Try again. Do the same with your career.

There’s nothing new in that advice.

However, what I’d offer is that unlike soccer or any sport that revolves (See what I did there?) around a single ball or object, your career doesn’t demand that you focus on one opportunity at a time. There’s no need to wait until one set piece is done before setting the next and kicking again.

I’m suggesting that you put more than one ball in play and kick at every one you can.

Translated into job-searching terms, I’m suggesting that you don’t wait to see how one opportunity pans out before striking the next. In particular, when you think you have one in the bag, keep kicking, because there’s no telling if you got it until you got it.

No time to showboat

I’ve been in the running for roles and it didn’t pan out in the end. Roles for which I thought it was just a matter of time before I was given the job.

I can take the disappointment — didn’t say I like it, but I can take it — but what gets me is the fact that I stopped kicking.

For one opportunity in particular, I recall that once interviews progressed to a certain point, I visited job boards less frequently. I networked when I felt like it instead of when I saw the opportunity. I went from lean to lazy, and that was a self-inflicted foul.

When I got the word that the offer wouldn’t materialize, I realized how far behind I was. What roles had been posted that I’d missed? What content had appeared on my LinkedIn feed that I might have pounced on?

Heading back to the job boards and my network was like the DIY walk of shame. You know…when you shuffle back into Ace Hardware to get the materials you need to fix the project you botched earlier in the day, the materials for which you purchased from that very same Ace.

Kick and kick again

So following that lesson in losing and losing ground, I resolved to keep kicking. And that’s what I suggested my friend do: go look for another role. Don’t wait around for this one.

What’s the worst that could happen? You’d have options and have to turn one down? Sounds like a pretty sweet position to be in.

*Honest, it’s a real friend, not me under the guise of “a friend” 

 

Quality by committee

If you work in corporate America, you’ve been subjected to not just the opinions of others, but their weight. Ooph, that’s heavy.

She was not a committee. Be like Leia.

Consider your last project. Chances are you didn’t make it to the end without thinking, “What about my manager’s approval? Will she like this new direction I came up with?” Or “Maybe that other department will have an issue with the creative elements like they did last time.”

The illusion of “your” work

And don’t pretend it doesn’t weigh on you. Because it does. Even if you have a bullet-proof, bite-me veneer, you gotta admit it affects your work. Even if you end up taking the new direction or those creative elements, damn your boss and the other department and the torpedoes. You spent the time worrying, and that’s time wasted.

At its worst, you may find yourself unable to consider your work done until you’ve satiated others’ opinions…and egos. The lower down the food chain you are, the more satiating you gotta do.

Pay (attention to) yourself first

There’s a point where you should consider the opinions of others, sure thing. I’m not arguing to the contrary. But the more credence you give others opinions on your work — whether you have to or not — the less genuine it becomes. The less true. 

Each of us, particularly in the creative field, have to feel out when another perspective might help our creation shine and when it might take a sledgehammer to its foundation, sending its quality sliding down the hill and into the reservoir.

Personally, I’d rather have a work that’s all my own, even if it’s not all it could be, than wedge in the wonky and detrimental if good-intentioned “If I were you…” or “How about if…” or “Have you considered…”

You aren’t.
How ’bout not.
I haven’t and won’t.

WWKD?

Stephen King advocates writing the first draft with your door closed.

That is, write the first draft for yourself, deaf, dumb, and blind to the opinions of others. Then, made manifest by virtue of your own creativity, that draft is shared with a trusted few, after you allow them in through the open door.

Professionally, you can’t always do that, especially if you’ve a client to please. But when it comes to personal work. Be true to yourself, to your work.

To be of service

Today marked the conclusion of my third and final year on the Waldorf School of Atlanta’s Board of Trustees. In the capacity of Marketing Committee Chair, I’ve been privileged to contribute to our students’ and school’s success.

Happy to help

I do consider it a privilege, because it’s afforded me the chance to be of service in a unique way.

See, my father was a teacher — a lifelong California public school teacher — and my mother, though not listed as such on her CV, was an educator. I’m not, but I recognize the important role and responsibility that teachers have.

“That’s Professor Hambrick. I didn’t get a Ph.D. in Education just to be called Mr. Hambrick. Oh wait…I didn’t get a Ph.D.”

I knew I’d never teach (at least in an official capacity). But being on the Board of Trustees at our son’s school provided an avenue through which I could, in some small way, be of service to students and our school.

More service, more Board meetings, more walks along the mulch path, more little treasures like this one

Altruism made manifest

Being of service, no matter how you do it, is something we all should do, because it’s how we can help others. It’s altruism made manifest, I’d argue. Concrete kindness, if you will.

I think, had I been given a minute to speak at today’s assembly, I would have thanked the school for the chance to be of service. And I would have suggested that the students seek ways in which they can:

• Younger ones could help set the table, bring in groceries, and keep house.
• Older ones could volunteer through their faith and in the community.
• Graduating 8th Graders, moving out into a larger world, could seek to create a future built on the notion of serving humankind.
• And all of them could be of service by bringing a little more love into the world; I guess they’re one in the same, in a way.

I’m just happy to have served on the Board, though I do feel it’s time for me to move on…to another kind of service.

It wasn’t always easy, but it was always worth it. And I’ve found that’s the norm for things that are worth your while.

Giving it away: Prelude

Note to self, scratched in the back of “On Writing” by Steven King.

Lemme go ahead and put this out into the world: the prelude to my book.

It’s not perfect. It’s not edited (at least to any degree that I, as a professional editor, would admit). And it probably ain’t final. But it is. So there. Here. Read it, free of charge and with my compliments.

Early this year, I warned that this blog might not be pretty, so I guess this is one way of delivering on my word.

If you want to share your thoughts or impressions, feel free to comment and feel free to push it further into the world. With the caveat that I’m doing this for myself and my muse and not for others, I thank you in advance.

Prelude

Spires of smoke rose above the city of Kigaru, wedged between the twin mountains of Mizuyama and Kayama. Thicker, darker columns – from the larger kilns and blacksmiths – reached the greatest heights before dissipating in the cold winds of early autumn. Lower, lighter threads of smoke spoke of more humble origins, of temples and family hearths.

Surrounded by the mountains’ mist and the fog of the bay, Kigaru bore a shroud about and above it. The tops of its tallest trees were bare, exposed to the whipping winds – all but the ancient ginkgo tree inside the Himeji Temple grounds. Leaves yellow and gold clung to its branches, holding fast against an approaching winter. Proud, perhaps, but no less resplendent, they’d eventually succumb to the rhythm of the seasons, falling, with few exceptions, together.

One fan-shaped, yellow-gold leaf floated down, just missing the top of the temple wall and coming to rest just shy of the gravel footpath. It landed amid the ceramics covering a ragged tatami mat.

“Aren’t you lovely?” asked the old man, picking it up and studying the leaf. He cast his gaze over his shoulder to the 1,000-year-old tree in the courtyard. “And no doubt lonely,” he added with no hint of sadness. “Not to worry. You can stay with me for a time.” Between a weathered thumb and forefinger, he rolled its stem back and forth, back and forth before tucking it into a pocket inside his coat.

Voices and commotion rose on the other side of the wall. The throng of temple visitors, moments before meandering through the gate and along the pathway, quickly split apart at the insistence of three horsemen. The old man and other seasonal vendors like him gathered the goods at the edge of their mats, trying to keep their wares from being trampled by pilgrims who were trying to not get trampled themselves.

After the riders passed, the crowd reunited. Another vender, a younger woman – a potter, a novice as judged by her crafts – leaned toward Jinbei, who had already brushed dirt of his tatami and began setting out his crockery.

“Say, weren’t those Nakagawa riders?” she not so much asked as confided.

“Mm-hmm,” he mumbled an answer an agreement. “Didn’t expect to see them this early.”

“What? Early in the day?” she asked. “I hope I don’t have to make a habit of saving my goods getting crushed.” The young woman righted a set of thick teacups. “I thought I’d be less dangerous here than on Sochira Street,” she said with a bright laugh that reminded him of the leaf in his pocket.

“The season. I mean early in the season,” he said. “I didn’t expect to see their family crest before the Autumn Grand Ceremony, attended by all noble houses – the Nakagawa clan and lesser estates. That’s not for another three weeks.”

She arched an eyebrow. “And so?”

“And so, they don’t enter this holy ground except on such occasions, except when it’s expected, when it’s required of their station.”

The young potter had stopped setting out her goods to look at and listen to the old man. “Then why were they here?”

He was quiet for a breath. “Beats me,” he answered, then returned her attention. “But whatever the reason, it was important, judging by how quickly they left took off.”

She kept watching him as he got back to work.

“Who knows?” he said, allowing himself a grin before feigning reverence. “Maybe they all achieved simultaneous spiritual enlightenment, satori, and each of them wanted to be the first to brag about it to Lord Nakagawa.”

Such a jibe could get him struck down – he knew it, as did she. Yet she chuckled, covering her mouth with her hand and trying in vain to muffle her mirth, like the yellow-gold leaf in his pocket.

Until the end

It’s National Novel Writing Month, otherwise known as #NaNoWriMo … I think. Otherwise known as 30 Days of Self-Inflicted Anxiety for would-be, could-be, perhaps should-be writers. I’m not in this year.

But serendipitously, on the first day of NaNoWriMo, I found myself finishing up “Steal Like and Artist,” which I had started months ago, stopped to blog about at a low point (with myself/career, not the book), and never completed reading.

Write between the lines
One thing that stuck was the idea of being creative within confines. Of time, of energy, of space.

Net: confines can foster creativity. So I gave myself a page and decided to fill it up with long-hand — no more, no less. What follows is what happened next. And what follows that is a typed, altogether more legible version.

…scribble, scrabble, drabble on the memo pad I babble…

If you start, you may not end where you wanted to go. But when you stop, you’ve reached an end. Not the end, perhaps not your intended end. But you’ve gotten to the Omega to your Alpha.

Maybe for this, it’s here.
Or here.

Apparently not.

So the push comes from the scratch inside your head. That in turn scratches the pen across the paper. Dang, my arm is tired already. Just this far in.

But there is an intoxicant at work here – it’s blue ink, lines no longer barren. Thoughts reaped, harvested across the line like bundles of wheat across a valley floor – gathered together. Upright, spent, but with life-giving power.

There’s an opportunity in each line. Tabula rasa is it? Blank slate? I dunno.

So as I scoot toward the end of the page – cresting halfway – between accomplishment and anxiety. What I’ve said vs. what I’ve written.

But I’m only pushing myself to fill the page. To reach that Omega.  This is my constraint. This is my Incredibly Shrinking Goal – not to be feared. It should fear me.

Stare long enough into the Abyss and it will stare back. I am the Abyss. I am the unfathomable. I am without limit. The lactic acid builds in my arm, as the ink drains in proportion. Here – take this last line and absorb my ink, my words, my creation, and retain it until the end.

Achtung, ATL! Where my German Restaurants at?

This post sprung from a conversation with G’s new teacher, who asked if there were any German restaurants in Atlanta. With a single question she immediately endeared herself to me, which helped offset the inevitably depressing response: “Not many.”

There are a few, however, and I’ve sought to detail them a bit here for your dining pleasure and general entertainment. If you know of any others that are worth dropping some Deutschmarks…well, let me know!

 

Petite Auberg offers a lovely dining experience, including comfortable booths reminiscent of early ’80s hot tubs.

Petite Auberg
(3/5 Schnitzels)

There’s a venerable restaurant in Toco Hills under the name Petite Auberg, which I believe is French for “Just enough German dishes to occasionally bill ourself as a French-German restaurant but not enough to reflect it in our name.” Established in 1974, it’s been an Atlanta fave for four decades and then some.

We’re lulled there perhaps every two years, inevitably ordering in a manner that would make my Germanic ancestry proud. This holds true despite the fact that there are more escargot in a serving of their (tasty!) escargot than German dishes on the dinner menu.

What it lacks in authentic Deutsch grub it makes up for by its eastside ITP (inside the perimeter) proximity, a well-appointed environment, and warm ambiance.

 

Der Biergarten is true to their name, replete with open-air seating. Garten outside. Bier throughout.

Der Biergarten
(3/5 Schnitzels; 4th schnitzel pending sit-down dining review)

There’s another one in downtown that draws a more direct line to the Schwartzwald. Though I’ve only been to Der Biergarten once as part of a massive work/social gathering, I’d wager that the food would be worth the trip.

The beer selection truly impressed me, though the snack-type fare we were served wasn’t memorable enough to spark visions of Julie Andrews and the chorus of “Edelweis” when I recall my visit. Though any spot that offers a Konig Ludwig Platter for 6 automatically gets three stars, taste untasted!

 

The Village Corner will help you forget — or perhaps not even care — how ridiculous you look in those Lederhosen.

The Village Corner
(5/5 Schnitzels)

I feel a bit ashamed that I didn’t first and foremost mention The Village Corner, which for all the right reasons secured the URL germanrestaurant.com. It’s fantastisch, charming — hands down it’s my fave, my Lieblingsrestaurant (if that’s indeed a word or a thing … if not, it should be).

Rumor has it that I once consumed their Wurst Platte fur zwei. Mind you, sometimes rumors are fact … at least in part. Located near Stone Mountain, which is eastside OTP (outside the perimeter), it’s close enough to Decatur but far enough from the urbanity to make you think for a minute you’re in Bavaria.

Zum Bratwurst … or was it Zur?
(6/5 Schnitzels)

I’d love to say that the little residence turned restaurant on Atlanta’s southside was still in existence. Even before I began the first of four years’ high school German, we frequented the restaurant for special occasions. Throughout 9-12 grades, the German club would visit regularly.

What once was a gem of a Deutsch Essen destination in College Park is now a pawn shop.What was the name? I think it was something off-kilter like Zum Bratwurst. That sounds right. Can’t recall for sure, but I have to thank it for fostering a love of German fare and folk and culture and somehow planting the seed for this post some three decades ago. I’ll still raise a glass to it. Prost!

Animaniacs. Warum? Ich hab’ uberhaupt keine Ahnung!

And here, for no good reason that I can think of, is The Animaniacs singing their version of “Schnitzelbank,” featuring Professor Otto von Schnitzelpusskrankengescheitmeyer.

 

Coming soon-ish to your local bookstore

Screw this and all sane approaches. Just start writing.

“So how’s your book coming along?”

 

An old friend asked me that question yesterday as we stood around avoiding farewells before he headed up to Virginia, where he’d recently relocated.

The answer I used to give was, “The draft is moving along at a good clip, if you overlook the dust it’s collecting.” But it’d been so long since someone had asked that I stumbled over my once-rote reply. That gives you an idea how much dust we’re talking about.

I told him as much. And added in peripheral excuses: “Y’know, work’s taking a lot of time, and I’ve been occupied with our recent move and what-not…”

He knows I’m a writer, but I’d forgotten that I’d told him about my book. And his asking kinda took me by surprise.

George could write about cold oatmeal and spark a fire in your soul.

Foot perched in the wheel well of the UHaul trailer, another friend of mine, who’s more like an uncle than anything, shared that what works for him is just barreling through that first pass.

And he’s right, though bless his heart, George’s likeness doesn’t come to mind when I hear “barreling through,” as methodical and glacial as he is. One thing’s certain: the world’d be better for more of George’s writing.

The Virginian is a craftsman by trade, so the conversation turned up the analogy of roughing in a structure — slapping together a few 2x4s with 16-penny nails and calling it a shed and a day. The first draft … in 3D … real, there, existent.

Steven King even campaigns for powering through that first draft without self-editing. It’s true; he’s tried it; and it works. After that, you then open your office door to the world of opinion — yours and others’.

I don’t have mine at that point yet. It’s kinda like my own albatross; instead of hanging around my neck, it’s sitting on my desktop, ancient like a mariner. It’s tough to put this truth out there without having put the book out there.

I’m the writer.

An artist friend suggested I read Steal Like an Artist. I respect her a bunch, bc as an artist she walks the talk … or the walk … I can never recall. No matter how you say it, that’s what she does. (That’s one reason I own two T-shirts she designed.) And so I bought the book.

Just 28 pages into it, I write the title to this blog, penned outta frustration that’s been building for a while. It’s not so much a compositional call to arms as a statement of fact:

I write. So (with a tip of the hat to Immanuel Kant), therefore I am.

Your words vs. my words

As professional writers (well, creatives of any color, really), we’re tasked with using what are inherently our words for someone else’s benefit. That someone else can be another soul or a soulless organization. And in that process, there’s a transmutation, wherein what originates within us as professional writers changes into what fits the other’s needs.

It’s nothing new. Even Michelangelo had his patrons, right? Norman Mailer wrote about Monroe “because [people would buy it]” as I understand it.

I think that we, as writers, lose a bit of our souls in the process regardless. Editing is a separate process, mind you, one that’s honorable IMHO (and not just because I can’t seem to pry that editorial hat off my noggin).

Copy Kamikaze

What I’m taking issue with is the act of writing for others at our own creative expense.

When we do, we’re subject to their whims, opinions, tastes – and that has nothing to do with our own inclinations or our better judgement as writers. But, hey, they’re footing the bill and helping make sure our rents or mortgages are paid monthly on time.

So we have to bend. That’s part of the game.

But don’t break

If it gets to be too much, then you have decisions to make.

Let’s say you’re a freelancer. You’ve gathered (through trusting yourself and selling your worth to others) a number of clients that, pieced together, can support you. As such, you’re freer to say fuck it, or more pointedly, fuck you, and walk.

It’s all on you, so you’ll then have to lean more heavily on other clients or patrons. Or perhaps hustle to replace the one you just dis/mis/ed. The decision to jettison the client is binary: do it or don’t. Simple. You just have to make the call.

But say you’re employed full time. Salaried. Benefits. Vacation. 401 … ok? Hook, line and sinker. You’re all in – and don’t get me wrong, it’s pretty sweet as long as ocean’s not too choppy.

The bends

In this case, the degree of your bend is arguably more obtuse than the freelancer’s. As you increase the bend, however, you feel it more acutely.

Be willing to take a stand.

The decision in that case is one of either giving in to the ever-present, sometimes-regretted impulse to say fuck it, or, lacking that, deciding to acquiesce.

Poor vs. proud

Why do the latter? Making the mortgage is pretty sweet. And as a former manager (and fellow freelancer) on a contract job once quipped in a feigned cavalier tone, “Being poor sucks.”

I’ll offer a third option, one which I’m leaning into, drawn into perhaps, as a way of creative self-preservation: Do good … enough.

Be boring

I’ll be damned, but “Be boring” is one of 10 missives that fellow scribbler Austin Kleon, the author of the above book that somehow kicked off this anything-but-pity-party post, suggests. I’ll get to that chapter soon enough, but here’s what I think he’ll suggest:

Do good … enough.

Deja vous, right? Right.

If you’re boring, you’re not being creative. Either that or people simply don’t get what you’re giving. You’re so deep that it appears simplistic on the surface. (That’s a blog for another time.)

But let’s say that honestly … you’re boring — on purpose. Boring affords you something invaluable: a creativity surplus. It’s there to use for you, not others.

Good enough

Say you do good enough for a client. They’re happy; they’ve gotten a writing product that they’re happy with. You’re happy; you’ve satisfied your client AND more importantly you’ve not expended your creativity when it wasn’t needed.

So you got this creativity surplus. What do you do with it? Easy – use it for yourself. For your stuff. For clients that recognize it … and appreciate it. Damn straight.

Acme & Co. wants pablum? Publish it, baby. Preserve your purple prose for something else, something more worth your while.

Write good. Save the great writing for those who recognize it.

Slip-slidin’ away

“He kissed his boy as he lay sleeping // then he turned around and headed home again.” That Paul Simon lyric stuck in my head as I kissed G and sauntered off for coffee and coherent humanity.

Slip Slidin’ Away,” released the year of my berf, 1975, might make a good background track to this post as it fits a few things that are going down right now.

Not too far from Georgia, but far enough to realize you’re not in Kansas

Roam away from home
We’re up in the Tri-Cities area of Tennessee, where my uncle spent his last decade or so preaching at the Old Kingsport Presbyterian Church. It’s the oldest church in the area and, at least as I recall Uncle David relating to us, the structure itself was relocated to its current hillside location, brought up by hand and horse and hydraulic from its original location near the river a half-century ago. But that story isn’t mine to tell. Nor Uncle David’s … still, he had something to say about the church.

 

We came up for a final visit with him last month, when he was placed into hospice at the Johnson City, Tenn., VA. And it was a good one. Laughter, good spirits, wit, and his trademark slapstick delivered with a deadpan expression before blossoming into a jackass-eatin’-briars grin.

Enough Ham for everybody (taken during our recent visit)

Yet, peppered throughout, were moments of slight confusion, reminiscent of his parents’ (my grandparents’) final years.

“Somebody should let those dogs out of that box over there,”he said, to which Marilyn replied, “David there ain’t no dogs over there.”

She was right. And he’d shrug it off, resting for a minute before we shuffled into the next topic.

Placed by the Honor Guard

Home-going
This afternoon, we attended a graveside service for him, replete with military honors. 21-gun salute. Taps by a bugler. Folded flag. Airborne…an Army Chaplain…a Screaming Eagle, as I remember. Twice to Vietnam. Twice back to The States. Luckier than many.

His service is the last foreseeable reason for us to be here.

Going home
Tomorrow, we’ll drive back through Asheville, perhaps stopping for a meal at that Decatur-Georgia-on-steroids city tucked in the mountains of North Carolina, his sister’s (my mother’s) home state.

If we don’t stop there, there’s an old standby awaiting us further south. Through Buckner’s Gap, we’ll continue on, passing through little of note, but a lot of beautiful space. The Dillard House is a venerable establishment that offers southern food and plenty of it.

That kind of homestyle cooking might serve as a fitting final meal before we make it back home. Meat and vegetables and cornbread served in dishes with a rich history of their own. It reminds me of my grandmother’s cooking, and I’m sure he’d stopped there before. If not, he sure missed out.

Ironically, the restaurant we ate at prior to heading to the service had on display a model train of Kingsport, circa 1950. In it was this graveside service scene. 

The home stretch
With Uncle David’s recent passing and Mom passing just four years ago, the reality of finality or maybe all things finite is, well, realer than ever.

I’m not glum. There’s some sadness, but I’m not distraught.

A friend recently shared that her relative — a mother of but 30-something — complained of a severe headache on a Friday and was gone by Sunday. My father’s passing was even more unexpected and expeditious. My mitigating response to her…hell, my approach to life…is this: love. Every damn minute.

In other words, be grateful…at least try. I figure if it all works out in the final mix, at least I believe so. And not every day or week or even month is filled to bursting with spotting rainbows, running through sprinklers, and drinking chocolate milkshakes, but that’s okay.

Sip after sip, the glass remains half full. So drink up and chin up.

Reconnecting With the World Around You

Having just finished J.K. Rowling’s first Potter book that morning, I couldn’t help but smile at the cosmic timing of receiving a used copy of Edward Abbey’s “Desert Solitaire: A Season in the Wilderness” late last Saturday. New book, new adventure.

“Cloudy Sunset at Delicate Arch” by Arches National Park

Mr. Weiss, one of our neighbors (and only immediate neighbor) had picked it up. He found it at a local book and comic store, the purchase prompted perhaps by his telling me about the book in one of our near-the-hedge conversations, reminiscent of Tool Time‘s Tim Taylor and Wilson W. Wilson. Side note: Were the worth of our new neighbors factored into the property value, we wouldn’t be able to afford this place. 

337 pages of loveliness, not loneliness
It’s a book about the author’s time as a solitary US Park Ranger at Arches National Monument in the Southwest. Autobiographical and perhaps envirographical (if you’ll permit me a new word though it’s a wee bit early in the day for that kind of foolishness), the book’s about his series of experiences in nature, and arguably experiences as a part of nature.

That’s what I wanted to write about: that separation.

Well before noon, with C already at a lecture and G still snoozing, I’m making some progress in the book, when I’m particularly struck by a snippet:

“There’s a disadvantage to the use of a flashlight: like many other mechanical gadgets, it tends to separate man from the world around him.”

Truth ages well
I’d never thought about a flashlight in those terms before, though I can see his point. But more than just the electric torch example illuminates, I’d say it’s important to consider how today’s mechanical gadgets tend to separate us from the world around us.

Take the Chromebook on which I’m scratching out these thoughts — mos def not part of Edward’s reality when he typed out his draft. Yet his observation still holds true.

You see, now, I’m looking at a screen, not the wild rabbits in the backyard, daily visitors in our little half-acre Eden, seen through the large kitchen window.

I’m using this electronic medium to (hopefully) connect with others, who will (hopefully) get something from these words, who might (hopefully) share them with others, perhaps helping them in some way and helping me make way as a writer in the meantime. All that hinges on my being in front of the screen.

But the cotton-tailed little darlins are still in the backyard, nibbling the grass to their hearts’ content.

I could be outside, grass between my toes, moving slowly, quietly, seeing just how close I could get before they dart off. What an experience that would be. What fun. How memorable and worthy of my time!

3-2-1-Contact!
So, yeah, gadgets can help us connect, but the original connection — that of humans with nature — it’s hard to come by. I’m of the mind that it takes effort to do so now more than ever. Similarly, we need it now more than ever.

I’d encourage you to take some time today, no matter how much, or where, or when and connect with nature. Doing so doesn’t mean you have to become a US Park Ranger.

Step into the woods and listen.
Stare at a houseplant and observe.
Hesitate before getting into the car and scurrying onto the next errand, close your eyes, breathe deep.

Nature’s there, waiting. Remember that, connect with it, and give it some love.